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The film is an attempt to break the silences around
child sexual abuse within the family. In order to make
the children's voices heard, the film is structured
around four narratives from their point of view.
Children's world of colour, rhyme, toys, games,
fantasy and bedtime stories are the basic ingredients
of the narratives, which often get fragmented by the
adults' memory of childhood abuses.
The film sets out to explore some other ways of
communication and articulation and attempts to break
the myth of ‘privileged language’.
Awarded:
Best film award at the 9th Biennale de L’image en
Mouvement in Switzerland |
